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"As a memory play and extended monologue, “Portrait” draws more strength from ambience and character than active plot, but Richman’s nuanced performance gamely carries the show. Like a memory itself, “Portrait’s” story may blur, shift, and coalesce, but it is the piece’s emotional impact that resonates most clearly. While our search for meaning may yield no definitive answers, we need not know God’s mind to appreciate the mysteries and love that unite us."

- Emily Cordes, Theatre Critic and Author at The Theatre Times

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